YouTube – Interview: Feedback Artist, Natalie Jeremijenko Also in the NYT today: “People are frustrated by their inability to cope with environmental problems in their apartments and their neighborhoods,” said George Thurston, a professor of environmental medicine at New York University School of Medicine. Dr. Jeremijenko, he continued, “provides a service that’s needed, educating people […]
This is a new video from 23/6.com a political-ish comedy site. The video is about a serious issue, but treats it in a comical-ish way. Which is a fine strategy if done well, but I there’s just not quite enough substance here. All you really get from the video is that there’s a terrorist watch […]
I read Timequake (one of Vonnegut’s last books) recently and was surprised to see how often it related to the How to Win project. The novel isn’t about any one theme, but ideas of art and affecting change are woven throughout. Vonnegut seems to be reflecting on how his literature has connected with his politics. […]
The winning entry for the environment category in this year’s Media that Matters Film Festival was a short animated film about the dangers of electronic waste. And what consumers can do to help the problem. I’m not sure if I find it effective or annoying. You decide.
Madeleine Bunting “Artists are Now Taking the Lead the Politicians Have Failed to Give” The Live Art Almanac Live Art UK, 2008 pp. 51-53 Originally published in the Guardian, 21 May 2007 “Artists now get lumbered with expectations that in other cultures might fall to shamans, preachers or prophets – or once fell to politicians. […]
Guilermo Gómez-Peña “Letter from Oaxaca: Performing the Flames” The Live Art Almanac Live Art UK, 2008 pp. 47-50 Originally published as an e-mail, August 20, 2006 “Opening day arrived, and while we we were setting up in the Museum, 50,000 citizens had gatherd outside to support the teachers. The sound of their loudspeakers intertwined with […]
via: Miscellaneous Projects Originally Written for Boot Print Volume #2 (St. Louis, USA) Proximity to Politics: A Review of Three Recent Published Dialogues on Contemporary Art and Activism By Daniel Tucker In an attempt to broadly survey the current terrain of contemporary art in relationship to politics, I am turning to three invaluable new resources […]
via: Ad Age NEW YORK (AdAge.com) — The marketing community, already dealing with a slumping economy and an increasingly consumer-controlled media marketplace, must confront another new reality: The face of the American consumer is changing dramatically. It’s not news that the nation is aging, but the fact that the average U.S. head of household is […]
The most fundamental reality at the present time is that the human species has over shot the capacity of the planet to sustain it. Both in terms of human numbers and in terms of the impact these human beings have on the planet. This is a very challenging situation and the first challenge is really […]
Marisa Olsen’s upcoming show is about “an active artist’s earliest creative efforts and they provide evidence of an obsession with music, genre, psychology, and personal narrative that shines through in her more recent artworks.” It is an exhibition to celebrate the release of her book, Poems I Wrote While Listening to the Doors, 1992-1994 (Before […]
British Surrealist Group (1938) We Ask Your Attention From a pamphlet issued by the British Surrealist Group, designed by Henry Moore, London,1938 (reprinted in Art and Social Change, Will Bradley and Charles Esche, eds., London: Tate, 2007, pp. 110-114) “If only in self-defense we must END ALL FORMS OF NON-INTERVENTION, INTERVENE IN THE FIELD OF […]
William Pickens (1924) Art and Propaganda Extract from The Messenger, New York, April 1924 (reprinted in Art and Social Change, Will Bradley and Charles Esche, eds., London: Tate, 2007, pp. 74-75) It begins: “What we are going to say now will make us a Philistine to some ‘artists’, and to all of the near-artists. But […]
Komfut (1919) Programme Declaration Iskusstvo Kommuny (Art of the Commune) No. 8, Petrograd, 26 January 1919 (reprinted in Art and Social Change, Will Bradley and Charles Esche, eds., London: Tate, 2007, pp. 68) “ A communist regime demands a communist consciousness. All forms of life. Morality, philosophy and art must be re-created according to communist […]
Is this art? Is it activistm? Certainly, the power elite are not shaking in their boots over such stunts, but this just viscerally seems right. via: the Independet By Guy Adams in Los Angeles Friday, 27 June 2008 San Francisco Public Utilities Commission The plant that could be renamed the George W Bush Sewage Plant […]
Play is one of the earliest and most important activities of mammals; helping adolescents learn the skills they need to survive. Games take the free play of the animal kingdom and apply rules and constraints, which have the ability to teach and develop the values and beliefs of a culture. The chess queen developed as […]
This mythology of the lone genius, isolated from society, and relieved of social responsibility, is summed up for me in these comments by the painter Georg Baselitz: “The artist is not responsible to anyone. His social role is asocial; his only responsibility consists in an attitude to the work he does. There is no communication […]
Gran Fury talks to Douglas Crimp – Interview ArtForum, April, 2003 DOUGLAS CRIMP: One of your members, Mark Simpson, is no longer with us. Perhaps we can officially dedicate our remarks here to his memory. When did Mark die? TOM KALIN: Mark died of AIDS on November 10, 1996. DC: Okay, let’s begin with a […]
For the past four years, Critical Art Ensemble’s Steve Kurtz has been a martyr in the world of activist art, the victim of overzealous FBI investigatory impropriety. The case against him was utterly absurd, Kafka-esque even. Thankfully,though, the judge saw reason this month and his case was finally dismissed. Now, he has an exhibit entitled […]
“How to Win” is a work in progress by Stephen Duncombe, an academic, and Steve Lambert, an artist. We are both long-time political activists and both of us believe that using art and culture to transform the world is a good idea. But we are both haunted by the same question: How do we gauge the success of our projects? Hell, how do we even think about success when our goal is utopia?
This site is a place to explore this and related questions. It is an evolving repository for our research. While far from a finished product, we’re offering it as an open window into our process.