Being a brilliant scientist doesn’t always translate into being a good talking head on television or even a good source for a science reporter. So the Aldo Leopold Leadership Program at Stanford University was created to give scientists a better understanding of how to deal with the media. Program director Pam Matson explains what goes […]
The Colbert ReportMon – Thurs 11:30pm / 10:30c Jonah Lehrer Emotions vs. Rationality in decision making. Artists need to embrace the emotional influence their work has in decision making.
I have been working with a general assumption that most people, in 2008/9, understand that there is a climate crisis. Yet some artists and activists have been a little slow in adapting to this shift in popular knowledge; making work that tells people, again, about the horrible state of our environment. So I had James […]
n aesthetic politics always defines itself by a certain recasting of the distribution of the sensible, a reconfiguration of the given perceptual forms….The dream of a suitable political work of art is in fact the dream of disrupting the relationship between the visible, the sayable, and the thinkable without having to use the terms of […]
Outopia derived from the Greek ‘ou’ for “no” and ‘-topos’ for “place,” a fictional, this means unrealistic or directly translated “Nothing, no matter what” This is the other half from Eutopia, and the two together combine to Utopia.
by Jonathan Alter Published Aug 23, 2008 From Newsweek magazine issue dated Sep 1, 2008 It’s hard to predict what will stick. ‘It’s the economy, stupid’ was a hand-scrawled sign hung in Little Rock. When NEWSWEEK reported earlier this summer that the McCain family owns at least seven houses, few outside the hothouse of politics […]
…in comedy, context is everything. “Tropic Thunder”… doesn’t risk simply offending; at times the picture is almost appalling in its tastelessness — I watched parts of it agape. But Stiller and his ensemble… understand that comedy is anarchy. As much as we want our lives to be stable and manageable, comedy demands that we relinquish […]
via: Ad Age NEW YORK (AdAge.com) — The marketing community, already dealing with a slumping economy and an increasingly consumer-controlled media marketplace, must confront another new reality: The face of the American consumer is changing dramatically. It’s not news that the nation is aging, but the fact that the average U.S. head of household is […]
The most fundamental reality at the present time is that the human species has over shot the capacity of the planet to sustain it. Both in terms of human numbers and in terms of the impact these human beings have on the planet. This is a very challenging situation and the first challenge is really […]
This mythology of the lone genius, isolated from society, and relieved of social responsibility, is summed up for me in these comments by the painter Georg Baselitz: “The artist is not responsible to anyone. His social role is asocial; his only responsibility consists in an attitude to the work he does. There is no communication […]
Gran Fury talks to Douglas Crimp – Interview ArtForum, April, 2003 DOUGLAS CRIMP: One of your members, Mark Simpson, is no longer with us. Perhaps we can officially dedicate our remarks here to his memory. When did Mark die? TOM KALIN: Mark died of AIDS on November 10, 1996. DC: Okay, let’s begin with a […]
“How to Win” is a work in progress by Stephen Duncombe, an academic, and Steve Lambert, an artist. We are both long-time political activists and both of us believe that using art and culture to transform the world is a good idea. But we are both haunted by the same question: How do we gauge the success of our projects? Hell, how do we even think about success when our goal is utopia?
This site is a place to explore this and related questions. It is an evolving repository for our research. While far from a finished product, we’re offering it as an open window into our process.
Richard Huelsenbeck (1920) En Avant Dada: A History of Dadaism From En Avant Dada: Eine Geschichte des Dadaismus, 1920 (reprinted in Art and Social Change, Will Bradley and Charles Esche, eds., London: Tate, 2007, pp. 61-68) From the First German Dadaist Manifesto, written by Huelsenbeck: “Art in its execution and direction is dependent on the […]
William Morris (1891) “The Socialist Ideal: Art” New Review, January 1891 (reprinted in Art and Social Change, Will Bradley and Charles Esche, eds., London: Tate, 2007, pp. 47-52) “…I assert that socialism is an all-embracing theory of life, and that as it has an ethic and a religion of its own, so also it has […]
This is great speech by journalist John Pilger on the powers and dangers of corporate media. I think what’s most interesting about it is that he breaks from the Left/Right dialectic that plagues social change movements and takes liberalism to task for some of its crimes. The liberal Clinton administration increased the size of the […]
Q: Of the various projects the Anti-Advertising Agency has been involved in, which ones do you think have been most successful? A: I don’t really know for sure. To know we would have to do what is done in any marketing campaign, which is an impartial evaluation — surveys, testing, etc. And we don’t have […]
Web analytics allow you to track how many people are visiting your site, what sites they are coming from, what words they use to search when finding your site, and more. Without knowing who is looking at your site, you can know what they are looking at, for how long, in what order, they city […]
Hans Haacke lecture Gallatin School, New York University, April 15, 2008 S&S: As a political artist, how can you know when you’ve been successful? Haacke: I’ve been asked that question many times, and that question requires one to go around it before one really avoids it. I believe it is a relatively new phenomenon that […]
Bad art makes bad political art….To those who would charge that thinking through the efficacy of political art turns art into propaganda I would say: absolutely. But sublime, and successful, propaganda.